Betrayal is Harold Pinter’s riveting reverse examination of three ambitious professionals in overlapping relationships testing the bounds of friendship, attraction and commitment. This production introduces our Studio Series - scaled-back productions outside the regular Resident Theatre season that let our artists experiment with new ways of working and take us back to fundamentals: an empty space, […]
14-week course meets one hour a week on Fridays from September 8 through December 15 and features a short production at the end of term. SHOW: December 15. There is a 3.6% service charge included for credit card payment. Fees include a $50 non-refundable deposit.
14-week course meets 50 minutes a week on Mondays with Miss Nora from September 11 through December 11. There is an open class for parents to attend at the end of term. There is a 3.6% service charge included for credit card payment. Fees include a $50 non-refundable deposit.
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
Support and celebrate the understudies of The Minutes! At this performance, the understudies of The Minutes will take the stage. Full casting will be announced prior to opening night.
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
Edge of the Wood is proud to present The Minutes, Tracy Letts’ scathing comedy about small-town politics and the secret ugliness of America’s most closely-held narratives, in its first production in Chicago since the Steppenwolf premiere!
18-week course, 2-hours a week, with a performance of a musical or play, with live music, over multiple weekends. Extra rehearsals in the weeks before opening. Two-hour classes start Thursday, February 22. Students age 12 must have instructor approval. SHOWS: June, 2024. There is a 3.6% service charge included for credit card payment. Fees include […]
18-week course, 2-hours a week, with a performance of a musical or play, with live music, over multiple weekends. Extra rehearsals in the weeks before opening. Two-hour classes start Thursday, February 22. Students age 12 must have instructor approval. SHOWS: JUNE, 2024. There is a 3.6% service charge included for credit card payment. Fees include […]
When a new family arrives in a provincial Italian town, speculations on their “situation” immediately arise amongst the neighbors. In Pirandello’s timely and timeless comedy, updated to the 1960s, conflicting versions of the “truth” force the community to determine whose story is right.
When a new family arrives in a provincial Italian town, speculations on their “situation” immediately arise amongst the neighbors. In Pirandello’s timely and timeless comedy, updated to the 1960s, conflicting versions of the “truth” force the community to determine whose story is right.
When a new family arrives in a provincial Italian town, speculations on their “situation” immediately arise amongst the neighbors. In Pirandello’s timely and timeless comedy, updated to the 1960s, conflicting versions of the “truth” force the community to determine whose story is right.
When a new family arrives in a provincial Italian town, speculations on their “situation” immediately arise amongst the neighbors. In Pirandello’s timely and timeless comedy, updated to the 1960s, conflicting versions of the “truth” force the community to determine whose story is right.
When a new family arrives in a provincial Italian town, speculations on their “situation” immediately arise amongst the neighbors. In Pirandello’s timely and timeless comedy, updated to the 1960s, conflicting versions of the “truth” force the community to determine whose story is right.